Athens, Ohio

Patrick Manley recently asked me about this spherical perspective I had drawn of Athens, Ohio, which he remembered having seen in a friend’s apartment. His friend turned out to be Steve Swisher, a former student of mine.

The story behind the drawing begins with the decision to phase out the architecture program at Ohio University. I had always admired the spherical perspectives in Ed Bacon’s book, The Design of Cities, and wanted to do a similar view of Athens to remember the place where I had started my teaching career back in 1972.

In the spring of 1976, I drew a 2-foot diameter circle on illustration board and began laying out the street pattern of the town, using as the center the intersection of East Washington Street and South Court Street, where the county courthouse resides. I used aerial photos for the rooftops, but first I had to literally walk the streets to get the relative heights and massing of the buildings and the portion of their facades that would be visible. Having Google Maps and Google Earth available would have made this drawing so much easier to do! For fun, I placed distances from the center of Athens to various points in the world along the circumferential horizon of the drawing.

Upon completing the drawing, I made a number of prints and mailed them to all of the students from that last semester in the spring of 1976 as a remembrance.

In 2007, Christine Tom of Lamborn’s Studio on State Street contacted me and expressed interest in reprinting copies for sale. I had forgotten that they had sold prints of the original drawing in the late 70’s. Of course, I agreed and so prints of this drawing are still for sale there.

Inspired by Paul Hogarth

Reaching back into the past, here is a view of Cleveland, Ohio, as seen from the Flats on the banks of the Cuyahoga River, which I drew during my year’s service in VISTA in 1972. I had originally posted this image on my Facebook fan page in February, 2010, but it is now apparently missing from my wall. At the time, I was fascinated with and inspired by the work of Paul Hogarth, noted English artist and illustrator, who used his drawings and watercolors to document places and events during his many travels, a reportage style of illustration that is now being kept alive through the work of Urban Sketchers <urbansketchers.org>.

The Fremont Troll

Another in a continuing series of drawings documenting sights in Fremont. Here, the Fremont Troll lurks beneath the north end of the Aurora Bridge, clutching a Volkswagen bug in the his left hand. The writing on the plaque that I copied beneath the sketch explains the Troll’s origin:

“The Fremont Troll was designed and built by Steve Badanes, Will Martin, Donna Walter and Ross Whitehead, with help from the community. The Fremont Arts Council sponsored the project, which hoped to build a greater sense of place in the neighborhood through art, and with it a stronger community…”

You can tell by the scratchy lettering it was much colder than I had realized when walking along North 36th Street to get to the site. There’s a lot of construction activity at this end of the bridge with the state seismically reinforcing the bridge supports, which I conveniently ignored.

Stimson-Green Mansion

We had a great turnout yesterday when the Seattle Urban Sketchers group met at the Stimson-Green Mansion for its monthly sketching session.

Spokane architect Kirtland Cutter designed the residence for C. D. Stimson, early Seattle industrialist, and his wife Harriet Stimson. It was completed in 1901. In 1915 Joshua Green, a leading figure in the Puget Sound boating industry and later a banker, purchased the house from the Stimsons and maintained almost all of its original features. When Green died in 1975, the Historic Seattle Preservation and Development Authority purchased the property. After working on its restoration, Historic Seattle sold the property in December 1977 to Priscilla (Patsy) Collins, granddaughter of C. D. and Harriet Stimson, with an easement protecting the main house, carriage house, and grounds from demolition, alteration, or remodeling. In 2001 Collins donated the mansion to the Washington Trust for Historic Preservation, which provides continued stewardship.

As an example of eclectic architecture, the house’s English Tudor exterior features half-timber work, wooden gables, and pointed arches, while the interior rooms combine elements from various historical styles including Moorish, Romanesque, Gothic, Neoclassical, and the Renaissance.

The first drawing is a 20-minute sketch of the exterior I did while waiting for the 10 am meeting time. The second is a view of the central hallway looking out from under a Romanesque style arch supported by clusters of small columns. The space ascends the main stairway to the upper two floors and extends back to a warm, sunny dining room on axis with the front entry foyer. I always enjoy drawng these kinds of transitional spaces because of the multiple viewpoints they offer.

3rd International Urban Sketching Symposium

Returning to the present and looking toward the future, I want to alert everyone to the Third International Urban Sketching Symposium, which is being held this year in the Dominican capital of Santo Domingo, July 12–14. In addition to panels and lectures, there will be a series of sketching workshops centered in and around Santo Domingo’s Colonial District, within walking distance of many of the scenic city’s landmarks. I’ve always these enjoyed these gatherings. It’s a great way to see new places with fresh eyes and to share the experience with fellow urban sketchers from around the world.

For more information, visit <http://sdq2012.urbansketchers.org>.

Hello world!

Welcome to my new WordPress blog. I’m excited for the opportunity to share some of my work and thoughts on seeing, thinking, and drawing.

To begin, I am reposting a composite image of the Spanish Steps in Rome I had originally published on my facebook page last December. I drew the portion on the left when I was a student in 1965 and traveling around Europe after a summer internship in London. The right half was done when I was teaching in Rome in the Jubilee Year, 2000—a span of 35 years. Different times, different circumstances, different set of eyes, different pens.

Going forward, I intend to post about once a week, recycling sketches that I had previously posted on facebook the past two years, interspersed with current work. I’m hoping to link each post to <www.facebook.com/chingfanpage>, and so while I have comments turned off on this site, please feel free to comment on my facebook page.