Category Archives: Urban Sketchers

AIUB Workshop in Dhaka

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I want to thank Saleh Uddin, Arefeen Ibrahim, and the faculty, staff, and students of the Department of Architecture at American Internarional Universuty-Bangladesh for their warm welcome in Dhaka. In addition to giving a presentation during AIUB’s 10 year anniversary festivities, I had the pleasure of hosting a workshop one afternoon at Louis Kahn’s National Assembly Hall. Here are a couple more photos of the event (Thanks to Professor Ibrahim) and a few pages of explanatory sketches from my sketchbook.

Thanks to Professor Ibrahim for the photos.

Sher-e-Bangla Nagar

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The above is a composite of Louis Kahn’s plan idea for the National Parliament Building in the Sher-e-Bangla Nagar district of Dhaka, Bangladesh, and a more finished plan of the assembly hall level.

While we can pore over plans and sections, study photographs, even view film of a building or place, none of these media can replace the experience of actually being “there.” And so it was a real pleasure to be able to visit Kahn’s last work while in Dhaka to participate in the 10-year-anniversary festivities of the architecture program at American International University Bangladesh.

Even though I did not have the time to sketch as we toured the interior of the complex, I can still recall how Kahn extruded the simple geometric plan shapes in the third dimension and then used large cutouts in the planes to create the daylit layers of space.

This is a wide-angle view of the exterior. I broadened the viewing angle beyond 90 degrees so that I could convey a greater sense of how the complex floats on a pool of water, reflecting the riverine nature of the country.

Section 22-6 of the City Code of St. Augustine

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I was unaware that I might have been breaking the law when I did this sketch of the Plaza de Constitucion in 2014. Urban sketcher Thomas Thorspecken of Orlando, Florida, recently blogged about traveling to St. Augustine to witness a demonstration being staged to protest a local ordinance passed in 2009 banning “acting, juggling, singing, playing musical instruments, pantomime, mime, magic, dancing, artistry or the creation of visual art and wares, which includes drawings or paintings applied to paper, cardboard, canvas, cloth or to other similar medium when such art is applied to the medium through the use of brush, pastel, crayon, pencil, spray or other similar object, and the creation, display and/or sale of crafts made by hand or otherwise.”

While the intent of this ordinance was probably to control and regulate street performers and vendors in the tourist center of St. Augustine, it seems to catch in its broad net those who, like urban sketchers, simply desire to draw or paint on location in certain public spaces in the city.

A case to overturn this ordinance is currently pending in federal court.

Seattle Central Library

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The December meeting of the Seattle Urban Sketchers took place at the Seattle Central Library, where I drew these two views of the Norcliffe Foundation Living Room. Serving as a general purpose reading area adjacent to a coffee shop and gift shop, the Living Room is part of the largest of the dynamic spaces in the library designed by Rem Koolhaaus and Joshua Prince-Ramus of OMA in collaboration with LMN Architects.

In one sense, the irregular geometry of such spaces can be easier to draw since any deviation from what actually exists may be difficult to discern. On the other hand, what is important to convey is a sense of the scale and 3-dimensional volume of the space.

Singapore Art Museum

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During last summer’s Urban Sketchers Symposium, the Singapore Art Museum was the site for my workshops. Opening in 1996, the museum is housed in what was originally St. Joseph’s, a 19th-century mission school run by the La Salle Brothers.

Both before and after the workshops, I had the opportunity to draw two exterior views of the the museum, which focuses on the contemporary arts of Singapore, Southeast Asia, and Asia. The difficult aspect of both of these views was controlling the amount the wings of the building curve as they extend out from the main body of the complex, neither exaggerating, nor minimizing the amount of curvature.

Context Matters

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The Boeing B-1 seaplane, the first and only one built, began flying the international airmail route from Lake Union in Seattle to Victoria, British Columbia, in 1919. I drew the first view of the seaplane last year, which merely hinted at its context. The second view was drawn when a small group of urban sketchers met this past Tuesday at the Museum of History and Industry (MOHAI) to sketch with Laurie Wigham, who was visiting from San Francisco. This time, I included a greater sense of the central hall space in which the seaplane is suspended. Context matters.

Here are two views of the Duwamish, a fireboat built in 1909 and now moored at the Historic Ships Wharf just north of MOHAI. The first is taken from the wharf itself while the second is drawn from the northeast corner window of the second floor of MOHAI. The window itself serves as a framing device for the drawing. Context matters.

Bauhaus Coffee

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When it’s cold and wet outside, one searches for a warm, dry place to draw. Here is a 2011 sketch of the interior of Bauhaus Books and Coffee on Capitol Hill, the first of its three locations which opened in 1993. And here is its newest cafe in downtown Ballard.

San Andrés

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Before returning to Seattle from Medellin, we were fortunate to have the opportunity to spend a couple of days on San Andrés, an island in the Caribbean Sea with an English past but tied politically to Colombia. Situated 470 miles north of Colombia but only 140 miles east of Nicaragua, it is, along with Providencia and Santa Catalina, part of a UNESCO Biosphere Reserve. I was able to spend a day drawing some of the historic structures on the island with a small group of staff and students from the Jardin Botanico de San Andrés.

A View Down Pike Street

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I sketched this view looking west down Pike Street while sitting outside the Washington State Convention Center in downtown Seattle. This is not a particularly beautiful or picturesque city scene. It is a rather pedestrian assemblage of urban elements—street lamps, sidewalk tables and chairs, store fronts and canopied entrances. What makes it unique is the arched vault of steel and glass that spans this one-block section of Pike Street between 7th and 8th Avenues.

Stepping inside the lobby of the convention center and dropping in scale from the street to a sculpture, this is a study of the terra cotta head of an American Indian that once adorned the 1910 Cobb Building.