On a nice sunny day here in Seattle, I drew this view of the Terminal 86 Grain Facility. The Port of Seattle built this grain terminal in 1970 to replace the Hanford Street Terminal and satisfy the need for a larger facility as grain exports from the Northwest grew. It sits along and over Myrtle Edwards Park on Elliott Bay and frames a view of downtown Seattle beyond.
As part of Gabi Campanario’s Drawn to Seattle exhibit at the Museum of History and Industry, individual members of the Seattle Urban Sketchers have been spending Saturday afternoons as an “Urban Sketcher in Residence,” demonstrating and sharing their sketching techniques. Yesterday was my opportunity. After a few warm, sunny days, it turned cool and rainy again and so I had to draw from inside MOHAI. The first view is of the Duwamish, built in 1909 and the second oldest fireboat in the U.S., being retired in 1985 and now moored at the Historic Ships Wharf just north of the museum on Lake Union.
The second “drawing” consists of just three lines, but they represent for me the broad outline of the following sketch, drawn from the second floor Walker Gallery, where Gabi’s exhibit was located. With those three lines, I establish the overall composition of the view and the scale and position of the bridge, which is the focus of the drawing.
This is a view of the now abandoned Elks Club at Broadway and 7th and Broadway in Tacoma, where the Seattle Urban Sketchers joined the Tacoma group for their monthly meeting. While the weather was chilly but sunny, it soon began to sprinkle. You can see the raindrops that began falling as I was doing this sketch.
When the rain turned to hail and got blustery, I retreated to Tully’s Coffee at 9th and Broadway and found myself a spot in the corner offering this view of the Rialto Theater. I began by drawing the frame of the window, Tina Koyama drawing on my left, the Tully’s sign above, and a couple of coffee cups in the foreground. Then I moved to what I saw through the window, starting with the tree trunk and planting area and then moving back to the Rialto Theater itself. The vertical white banding is my effort to erase the gray shadows that appear in the binding when I scan my sketches.
Thanks to Bob Krikac of the Washington State University’s School of Design and Construction, Gabi Campanario, Gail Wong and I were able to spend this past weekend conducting a series of drawing workshops in Pullman, Washington. It was great to see the energy and desire to draw among the mixed group of students, professionals, and individuals simply interested in urban sketching. After the teaching sessions on Saturday and Sunday morning, we all met at Bryan Hall with its iconic clock tower for a final sketchcrawl. Here are two of the three views that I managed to do.
To celebrate the arrival of spring and warm, sunny weather here in Seattle, I offer this 2010 view of the quad on the UW campus with the cherry trees in full blossom.
Also, to recognize the UW’s Suzzallo Library being recognized as “one of the coolest college libraries in the country,” here are two views of the Collegiate Gothic structure, designed by Seattle architects Carl F. Gould, Sr. and Charles H. Bebb in 1923.
I flew to NYC for a presentation Monday evening by Ian Shapiro, co-author of Green Building Illustrated, which was recently published by Wiley. Sponsored by the Urban Green Council, the New York chapter of the U.S. Green Building Council, the author talk was held in the beautiful Trespa Design Centre in SOHO.
Driving across the Manhattan Bridge from JFK with Ian that Monday morning, I confronted this distant view of the new WTC. Fortunately, I had some time to go back and capture that urban scene at the corner of Bowery and Canal Street.
After meetings at Wiley the following day, I had some free time to walk around the WTC site, where I found this view of the WTC from the grounds of St. Paul’s Chapel.
For the monthly meeting of the Seattle Urban Sketchers group yesterday, we met in the International District of Seattle. I caught the bus downtown and as soon as I got off, I confronted this view of King Street Station with Century Link Field in the background and a maze of overhead wires in the foreground. I just had to draw it while standing under the awning in front of 308 4th Avenue South.
Thinking about what to sketch in the ID district, I was convinced I had to document Kau Kau, which, as the sign on its awning says, is home of the best BBQ (char siu) in Seattle. So tender and juicy. You can see the effect of raindrops on the page.
Finally, to get out the rain and damp cold, I joined a few others in the tea shop housed in the Panama Hotel. Designed by Japanese American architect Sabro Ozasa, who was a graduate of the University of Washington, the hotel opened in the summer of 1910 and was designated a National Historic Landmark in 2006. In the basement is the best surviving example of an urban-style Japanese bathhouse in the U.S.
Here are two sketches done during our recent trip south to St. Augustine, Florida. The first is of Flagler College, formerly the Hotel Ponce de Leon, which was designed by John Carrere and Thomas Hastings and built by Henry Flagler in the late 1880s. The original hotel was the first in Florida to be supplied with electricity and contains beautiful Tiffany windows. The view was drawn from the front arcaded walkway that helps define the entrance courtyard.
This is the Plaza de Constitucion in St. Augustine, Florida, which was established by Spanish Royal Ordinances in 1573. After I began with the contours of the tree in the foreground, the drawing seemed to take on a life of its own, moving left toward the gazebo, and then to the right and ending with the 18th-century Cathedral Basilica in the background. It ended up as a two-dimensional graphic that relies more on overlap than linear perspective for depth.
After the workshops at the Savannah College of Art and Design, we drove south to Cumberland Island, Georgia’s largest barrier island, accessible only by ferry and now a designated National Seashore overseen by the National Park Service. At the southern tip of the island are the Dungeness Ruins, the remains of a mansion built by Thomas Carnegie, brother of Andrew Carnegie, and his wife Lucy in the 1880s as a winter retreat. This panoramic view of the site shows the open grounds, which looks southward over a vast saltwater marsh.
While waiting for the ferry that would take us back to the mainland, I popped into the Ice House Museum and was excited to see a photograph of the mansion as it was before it burned in 1959. I quickly drew this view to show a little of its character in its heyday.
We’ve spent the last few days in Savannah, Georgia, one of the largest National Historic Landmark Districts in the U.S. Savannah’s founder James Oglethorpe developed the original town plan on a grid centered around a series of squares. It’s instructive to see how the grid and series of park-like squares reveal themselves even today after all these years.
The purpose for our visit was to give a presentation and a series of workshops at the Savannah College of Art and Design. I’ll try to post a few drawings from the trip after our we return to Seattle. In the meantime, here are a few photos.
