The George & Dragon Pub

These are two views of the George & Dragon Pub, one of Seattle’s premier sites for watching the World Cup, just a block away from where I live and work.

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I drew the first during a lull in the soccer action, the day before the U.S–Germany match. I then returned yeterday during the match and added the crowd watching the outdoor screen to the first sketch. Notice how the screen was raised for better viewing.

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Even though the U.S. lost 1–0, they still advanced to the knock-out round! Next up, Belgium…

Alki Homestead

When the Seattle Uurban Sketchers met along Alki beach for its monthly meetup yesterday, I decided to draw the Alki Homestead located at 2717 61st Avenue SW. This is one of the few historic log structures remaining in Seattle. The log house, originally called Fir Lodge, was designed by Tom Lin and built in 1904 as a country estate for Gladys and William Bernard.

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The Homestead Restaurant operated here from 1950 to 2009, when a fire closed the restaurant. Because of plans to demolish the designated landmark, the Washington Trust for Historic Preservation listed the log building as one of their Most Endangered Historic Properties.

The Southwest Seattle Historical Society, the Washington Trust for Historic Preservation, and Historic Seattle all began a campaign to encourage rehabilitation of the property as opposed to rebuilding with new construction. In 2010, the building’s owner expressed interest in selling the Alki Homestead property and, as you can see from the sketch, it is currently for sale.

Seattle Art Museum Workshop

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Opening tomorrow at the Seattle Art Museum is a special exhibition, Modernism in the Pacific Northwest: The Mythic and the Mystical, featuring the work of four artists central to the Northwest school of modern art—Mark Tobey, Morris Graves, Kenneth Callahan, and Guy Anderson. Tied to the exhibit is a special event on Saturday, June 28: A tour of the exhibit followed by a three-hour field sketching session at Pike Place Market led by Gabi Campanario, Gail Wong, and myself. For more information and to purchase tickets, visit the Seattle Urban Sketchers site at <http://seattle.urbansketchers.org>.

Matera

During our field trip south to Pompeii and Amalfi, we had the opportunity to visit Matera through the generosity of the Unione Italiana Disegno, who invited me and the entire UW group to their conference that was being held there.

While in Matera, we had a tour of the Sassi, a dense network of dwellings carved out of the local tufo stone and interwoven with stone alleys and stairways. Even though many of the original rock-cut spaces are hidden behind the facades and walls built from the stone removed to create the underground dwellings, we were fortunate to get a glimpse inside one of the structures to see what the original cave spaces might have looked like. The upper drawing is looking from the Sasso Barisano to some of the caves across the glavine; filling the space below is a view of the Sasso itself.

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Quoting from the Comune di Matera’s website: “Looking at the structure of the Sassi we can clearly see the social and architectural evolution of mankind, from simple dugout shelters, to caves with facades, to the construction of roofs on which to create vegetable gardens; and the evolution of the social structure of a community – human interaction amongst individuals, families, dwellings, neighborhoods and churches, from rural to urban. In 1993 UNESCO declared the Sassi of Matera a world heritage site, describing it as “the most outstanding, intact example of a troglodyte settlement in the Mediterranean region, perfectly adapted to its terrain and ecosystem. The first inhabited zone dates from the Palaeolithic, while later settlements illustrate a number of significant stages in human history.”

Many thanks to Dr. Salvatore Barba of the University of Salerno and Francesco Ferraris for their gracious hospitality during our visit to Matera.

Fremont Mischief Distillery

Mike and Patti Sherlock started making rye whiskey in the late 1990s from a recipe from the journals of John Jacob, an immigrant from Holland and Patti’s great-grandfather. When Washington state passed the craft law in 2008, Mike and Patti founded Fremont Mischief Distillery. Here is a view of the distillery with its retail shop and tasting room fronting the Ship Canal.

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Fremont Mischief distills whiskey, gin and vodka using winter wheat grown on Whidbey Island and rye from small Washington State farms and the Willamette Valley in Oregon. Quoting from the distillery’s website:

“Fremont Mischief is a full-circle distillery. We begin by selecting the finest organic, heirloom and small farm conventional grains & botanicals. Together with pure artesian waters, these ingredients are skillfully crafted into fine spirits with the help of our artisan stills. Then, our spent grain is reused and ultimately returns, full-circle, as organic compost for farms and gardens. We recognize the artistry in crafting fine spirits. Our stills are a work of art themselves. They are hand-made by Arnold Holstein Co., a German family that’s been building distilleries for many decades. We worked closely with the still-maker, to incorporate proprietary technology into our columns stills. No need for twelve times distilled or even three.  Our stills allow us to distill pure, flavorful spirits the very first run.”

Independence Day 2013

Independence Day in the U.S. has always been for me a summery mix of parades, cookouts, and fireworks. We spent the holiday enjoying the warm and sunny weather with friends on Whidbey Island, where I did this sketch, overlooking a garden, with peaceful Mutiny Bay beyond.

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That evening, after dusk, that same beach exploded with fireworks.

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Earlier in the day, we had attended the 4th of July parade in the small community of Maxwelton.

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Despite all of these rituals, without family and friends, Independence Day would not be special at all.

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RAIC College of Fellows

Last Friday evening, the Royal Architectural Institute of Canada (RAIC), as part of their annual Festival of Architecture, held a convocation for its College of Fellows at the Canadian Museum of Immigration on Pier 21 in Halifax. Here is a sketch I did as I sat in the rear of the hall, watching as a new group of members were installed as RAIC Fellows.

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The event reminded me that in this age when viral and often transitory moments dominate our consciousness, there still remains a place for tradition and stability in our lives, just as buildings still require a strong and stable foundation, even though hidden from view, upon which the newest forms and fads can be erected.