Columbus, Indiana

Earlier this week, I spent three days in Indianapolis to participate in a video project for my publisher Wiley. On the first day, we drove down to Columbus, Indiana, for some on-location sketching. Here are a couple of quick sketches that I did as studies before I attempted the larger format drawings that were to be filmed.

Columbus is known for its collection of Modernist projects that are interspersed among the town’s older 19th-century buildings. This unusual architectural heritage owes its existence to J. Irwin Miller who, as president and chairman of Cummins Engine Company, created the Cummins Foundation in the mid-1950s to subsidize projects by Eero Saarinen, I.M. Pei, S.O.M., Cesar Pelli, Richard Meier, and Robert Venturi, among others.

Thanks to Lauren, LIsa, Paul, and Eric for their expert assistance in making this project possible, and to the Ball State University students who participated in the studio sessions.

Beacon Hill

The Seattle Urban Sketchers met recently at the Beacon Hill station, one of the stops in Sound Transit’s Metro’s Light Rail system, between the SODO and Mount Baker stations. Probably because of site and space constraints, there are no escalators to access the train platforms below grade. Rather, the doorways you see here are actually elevator entrances down to the train level.

This second sketch is of the entrance to El Centro de la Raza—the cultural, educational, and social service agency founded in 1972 by Chicano activists who occupied the then vacant Beacon Hill Elementary School. Note the banner declaring the school, as any other school, is a “Sensitive Location.” This refers to the U.S. Immigration and Customs Enforcement (ICE) policy regarding where it can enforce its enforcement actions. To quote from the ICE website: “ Pursuant to ICE policy, enforcement actions are not to occur at or be focused on sensitive locations, such as schools (and) places of worship…”

A Centennial Celebration

In remembrance of the centennial anniversary of the official opening of the Fremont Bridge on June 15, 1917, and that of the Lake Washington Ship Canal and Hiram M. Chittenden Locks (aka the Ballard Locks) nineteen days later, on July 4, 1917, I am reposting several drawings of the Fremont and Montlake Bridges that cross the Ship Canal.

For a brief history of the Lake Washington Ship Canal and the Hiram M. Chittenden Locks, please see <http://makingthecut100.org/lwsc-and-the-locks/>. For a history of the Fremont Bridge, see <http://historylink.org/File/20374>.

Place du Grand 9 Avril 1947

This is a view of Place du Grand 9 Avril 1947, also known as Grand Socco (Big Square), just outside one of the gates to the médina of Tangier. The square is named after the speech Mohmamed V gave in support of Moroccan independence on April 9, 1947. Normally the space is filled with street performers and vendors selling a variety of fruits, spices, and second-hand goods but it was somewhat quiet due to the beginning of the observance of Ramadan—the annual holy month of praying and fasting for Muslims worldwide

A Celebration of Seattle’s Asian Community

These are people gathered in Hing Hay Park in Seattle’s International District to celebrate the Lunar New Year and witness dragon and lion dances, Taiko drumming, and martial arts performances.

In his opening remarks, Seattle Mayor Ed Murray reminded us all of how a mob rounded up Chinese from this very neighborhood on February 7, 1886, and tried to force them aboard a steamship for passage out of Seattle. And how the Japanese, many of whom were American citizens, were forced to evacuate their homes and businesses the week of April 28, 1942, an expulsion authorized by Executive Order 9066, which President Roosevelt had signed on February 19, 1942.

And so despite DT’s cruel, mean-spirited, and un-American actions of this past week, Mayor Murray asserted that as we celebrate the rich, diverse cultures of this Asian community, Seattle remains committed to being a welcoming city for refugees and immigrants in need.

Kung Hee Fat Choy!

Happy Lunar New Year and welcome to the Year of the Rooster. Those born under this Chinese Zodiac sign are said to be loyal, trustworthy, confident, and sociable. Some say a rooster can also be pompous—always bragging about himself and his accomplishments. This reminds me of someone who shall remain nameless.

Drawn with an Apple Pencil, using the Procreate app on an iPad.

Iolani Palace

While the recent cold snap is easing a bit here in Seattle with temperatures returning to the upper 30s, I still miss the warmth and fragrance of Hawaii. During our recent trip there, I did this quick 20-minute sketch while waiting for the weekly Friday performance by the Royal Hawaiian Band on the grounds of Iolani Palace. King Kamehameha III founded the brass band in 1836, which is now considered to be the oldest, full-time municipal band in the U.S. I still remember as a child growing up in Honolulu attending their Sunday afternoon concerts at the Kapiolani Park Bandstand in Waikiki.